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Temporary Blog Hiatus – Coming Soon. Why? So I can Work Harder and Smarter!

Hello fellow bloggers and Happy Monday to you!

In order to finish up The Novel I’ve been dropping hints about, I need to prioritize and reschedule a few things.

  1. I won’t be posting new content on here much — if at all.
  2. I will most likely reblog your posts. I’m a reblogging superstar! 🙂

sharing is caring

And last, but not least, I plan on adding new content by late May.

Just this morning, I finished submitting an application for an artist grant. I hope to share more information about that at a later date.

One of my goals is to continue researching agents, publishers, and small press magazine markets in order to publish more and more of my work.

Being a mommy, wifey, and full-time teacher doesn’t leave me with enough quality time to write as much as I’d like.

Last week, I was able to write 1,073 words total. 😦 That’s all. For the whole bleeping week.

And that’s just not enough words.

Regarding submissions, I was able to submit three stories this month to a couple of markets. A lot of them don’t accept simultaneous submissions and that’s fine. It’s just that the turnaround time is tight.

Starting today, I want to write at least 1500 words a day (of The Novel) and find a home for at least two of my short stories. I’ve been reading 5000 Words Per Hour in little chunks and I may have to settle for 5000 words per day instead.

By April, I want to double that amount and finally finish the first draft of The Novel. 🙂

So, ta ta for now! 🙂

Never-Good-Bye-Its-See-You-Later

It’s See you Later”. Lol. 🙂

 

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100+ Followers! Yay, yay! Hip Hop Hooray!

Thank you to all my followers for helping to inspire me to keep writing every day.

I wasn’t expecting to gain many readers and I like to think I would keep writing anyway. However, having readers to interact with definitely gives me that little extra oomph — so thank you all for that.

Here are links to my most recent followers.

https://tamaradrazic.com/

https://wordscantfathom.wordpress.com/

https://johngrecoauthor.com/

In the future, I’ve been considering posting “Shout Outs” to my most interactive followers. 🙂 Everyone deserves some extrinsic motivation! 😀

Happy Friday everyone!

 

Dear WordPress Followers, Thank YOU!

When I first started this blog I didn’t really know what I was getting into. My intention was to encourage myself to write more, connect with other writers and readers, and build a platform for my “brand”.

Gaining followers that not only shared interactions with me, but also inspired me with their own writing, which is just icing on the cake!

Thank you one and all!

 

10 Simple Rules for Writing That You MUST Follow!

A couple of days ago, I shared that exercise is one of the most important things one can do to stay healthy and if you’re a writer this is especially true! This “rule” or “tip” is one of ten that I learned from a fellow writer.

10 Rules for Writing

  1. Exercise daily!

  2. Mix with people of all ages and ethnicities. It’s good to be social AND making these new connections strengthens your ability to create and develop characters!

  3. TRAVEL! It’s fun to see people from all walks of life and while you visit new places you gain more ideas for fantastic stories.

  4. Enter writing contests! Why? Because you have the opportunity to expose your work to large groups of new readers and perhaps even obtain valuable feedback on your work.

  5. Subscribe to a newsletter that gives tips and advice on writer’s craft.

  6. NEVER throw away abandoned manuscripts that aren’t working. Why? You can always return to it and work them into a different kind of story. Romance? A series of short stories? Literary fiction? Why not? The possibilities are as endless as your imagination!

  7. Write Every Day! Oh yes. Every day!

  8. Subscribe to specialty newsletters and/or articles on genres that you’re not used to writing. For example, I do write speculative fiction, and I’ve considered writing romance (although I perceive the genre to be one of my weaknesses) so the more I learn, the better I can improve and use what the new knowledge I obtain to strengthen romantic scenes in the genre I already know). Wow — that was one heck of a run-on sentence, but it still makes logical sense, so . . . moving on! 😉

  9. Join a writer’s group or some kind of critique group that suits your needs!

  10. BELIEVE in yourself! Ignore the nay-saying negative haters!

 

The Priceless Importance of Leaving a Book Review!

I have a lot of New Year’s resolutions for 2018 and I plan on sharing them in upcoming posts!

One of goals is to write more often on this blog, even if it’s really brief. Another goal I have is to write more book reviews. It’s important to support other authors. Books are important and I’m going to make sure my actions speak this truth.

After all, I had mentioned that I would be doing reviews for books (for example, Shadowshaper by Daniel Jose Older) I recently read. Unfortunately, I was also in the process of republishing my first book that was orphaned after my publisher went out of business. And then when I tried to be an Indie publisher (mind you, with a full-time job, and three sons) I got disheartened with how poorly I felt I was doing compared to other authors like this guy. My husband ADORES Chris Fox. Chris has a lot of good advice, but he’s no longer in the trenches like little old me so . . .

Anyway, if you write reviews, you’re awesome sauce.

If you’re an avid reader and aren’t putting in that extra effort, please consider it! Writers NEED YOU!

review or pie

I’d prefer the review any day, hands down, because then I can reward myself with a slice of pie.

How Million Yen Women Inspired My Revised Author Wish List!

wish-list

On Twitter, I discovered this hashtag: #MSWL. For those of you who don’t know, it stands for Manuscript Wish List. There’s even a website dedicated to this where agents and editors can share with writers what kind of manuscripts they specifically want in their inboxes!

Groovy, baby. Just groovy.

As a writer, I’ve always had a wish list of my own and it was simple:

  1. Find an agent or publisher
  2. Get published
  3. Sell books
  4. Quit day job
  5. Write for pay all day, every day! 🙂

Unfortunately, my journey toward becoming a best-selling writer hasn’t been simple to achieve. In between going to college to have a career to support my oldest son (almost two decades ago it was just the two of us); working full-time as a teacher; writing a book or two while pregnant, vomiting, nursing, crying, and living “the dream” (fake it until you make it) I didn’t think it would EVER happen. Sure, I independently published a book and had my first novel published (unfortunately, the publisher went out of business shortly after), but it wasn’t enough to quit teaching. Heck, it wasn’t even enough to make a car payment. Or a cell phone payment. Or even enough to buy a box of Tic Tacs (ha, ha — okay, I exaggerate it was enough to buy 12 packs of Tic Tacs!)

So, lately I’ve been submitting short stories, picture book manuscripts, and trying to complete another novel in order to return to that above wish list. And as time marches on, I get anxious, depressed (I may share more on that at another time), and feel hopeless that my dream to work as a full-time author will never come true.

And after watching “Million Yen Women” (it’s based on the manga series, “100 man yen no Onna tachi” by Shunju Aonoon) on Netflix, I have a new wish list. 🙂

I won’t spoil the series for you because I hope that you take advantage of the fresh satisfaction of watching it soon. Oh, so very soon.

I enjoyed it and highly recommend it. Especially to other writers because even though Japan possesses different cultural views in comparison to those in the United States of America, both countries share a similar perspective when it comes to the publishing industry and marketing.

The main character, Shin Michima, is considered a poor novelist, but one day that begins to change when he’s visited by five beautiful women who live with him. Each women has a role to play, but their purpose for being there is shrouded in mystery. Oh, and he’s not allowed to ask them ANY questions or enter their rooms. Now, why would Shin want to allow five, strange women into his home? Well, they pay him a million yen for every month they live there! As the story unfolds, you learn a lot about what it often takes for a writer (even one who is considered a failure, like Shin) to become a hot, best-selling superstar!

My (Revised) Author Wish List

  1. An Ally with Connections, like Hitomi. She’s the daughter of a deceased, famous novelist.

    Hitomi Tsukamoto

    Hitomi Tsukamoto

  2. A Dedicated Following (even one person would suffice — not including my husband –I love you, bae, but you can’t count!)

    Dedicated Following

    Nanaka Hiraki – pop singer and actress

  3. A Ride or Die Editor like Mr. Sakurai. He’ll guarantee a bidding war for your book. He’ll push to have the right amount of copies sold! Sakurai san

  4. A Manga-styled Harem (if I wasn’t married, of course — heh heh). So, we’ll go with someone to kick my behind whenever I fall into self-pity. Every writer needs a Minami Shirakawa in their inner circle. She’s loyal, she won’t settle for anything but your best, and she’ll give you her all. She’s my favorite character in the entire series! 🙂

    Minami Shirakawa

    Minami Shirakawa: my fictitious BFF

    A Fan Club that Hosts and/or Attends all of My Events!you need a fanclub

Have an author wish list? Share yours in the comments!

 

 

Racism? You Don’t Say?

A discussion came up on Facebook regarding the apparent lack of diversity in publishing when Martha Boss, book blogger, educator, and model shared her opinion regarding the lack of diversity at book events. She explained that she had no desire to attend any literary events that didn’t have authors from all walks of life. And in the United States of America in 2017, one would think that such an opinion would be positively acknowledged and celebrated. Unfortunately, an uproar of finger-pointing and finger-wagging ensued by some disgruntled readers of her post. On a positive note, the conversation inspired me to write this post.

Before I delve into where I stand on this matter, I will first give some background knowledge and context.

Most of you may know that my husband is white. I bring up his skin color because of the nature of this post. You see, some time ago Marvel was relaunching Spiderman and making the hero that followed in Peter Parker’s steps a young man named Miles Morales, who is  half-Black and half-Hispanic.

spider-man-miles-morales-peter-parker

I was okay with this change. And as an advocate for diversity, I’m all about the inclusion of more and more people of color in all social constructs. On the other hand, my husband was concerned about this change. For those of you who aren’t familiar with Spiderman, he’s a young man named Peter Parker who happens to be white, like most of the comic book characters that have become not only popular, but also who have become mainstream due to aggressive marketing and appearances in movies (Batman, Deadpool, Superman, ad nauseum). All alternate personas of these heroes are white males. And all but two of them are filthy rich (yes, looking at you, Deadpool and Mr. Kent.)

Hardcore fans are all about staying true to the “canon”. And there are laws that must never be broken.

Two main “no-no’s” are:

THOU SHALT NOT CHANGE THE COLOR OF THE CHARACTER.

THOU SHALT NOT CHANGE THE GENDER OF THE CHARACTER.

My husband was concerned that the writers weren’t staying true to the canon by changing Spiderman’s ethnicity. My husband’s argument was logical especially when he supported it with this gold nugget: “The market should be actively looking for writers with new fresh faces and cultures to add to the Marvel or DC universe. Peter Parker should keep on being Spiderman.”

I agreed with my husband that the Industry or Market should be looking for new material from different perspectives instead of rehashing the same tripe year after year.  Moreover, consumers need to do their job by demanding what they want and if the Market isn’t giving it to them? Well, now. There’s this powerful principle called supply and demand and it’s a beautiful thing. If I don’t like a show, I won’t watch it. If I don’t like a restaurant, I won’t eat there. For example, even if McDonald’s were the last restaurant on the planet I REFUSE TO EAT THERE!

A few months after my husband and I had our third child, he turned to me and said, “I get what you’re saying. You know, about seeing more characters that are people of color. I don’t want our sons growing up not seeing that they’re important. That they exist.”

we need diverse books3

BINGO!

And the cry for diverse books wasn’t enough because then you fall into the bait-and-switch trap that it’s okay for white authors to write books that star nonwhites as the characters. Then, the #ownvoices movement was ushered in to stress how important it is for people of color to tell their own stories in their own voices and not having to fear that they needed to pander to or patronize a white audience or any audience (regardless of color) that didn’t understand where they were coming from.

Too bad these movements aren’t making waves on television. Yet. You see, over the past several months, my husband and I observed a disturbing trend regarding television shows for children. I’ll most likely go into more detail about that in a future post. 🙂

The conversation that my husband and I shared regarding the necessity for diversity in books and comics inspired me to reflect on my childhood as a reader and where I am now as an author and reader. My reflection motivated me to write this blog post.

Now, back to the main topic.

In one of my previous blog posts I discussed the deathtrap of stereotypes.  A common stereotype regarding Black people is that we don’t like to read. It was also one of the arguments that excuses the cold, hard fact that 88% of books reviewed by the New York Times are written by white authors. So, one could ignorantly draw the conclusion that Black people don’t like to write either. Or that they don’t know how to write. But, if they do like to write, they’re not very good at it because they don’t like to read and thus there’s no market for them. And that’s just the way it is.

Uh, no. Just no.

weneeddiversebooksbecause

Yes, indeed. 🙂

When I purchase books for my classroom I choose them very carefully. I want books that will not only keep my students engaged, but appeal to their gender, not only relate to their own experiences, but challenge, and build onto this foundation. My Black students, as well as White, Asian, and Latino students love reading a good book regardless of what color the main characters are . . . or whether or not the main characters are even human. However, there comes a time when nonwhite students wonder WHY their experiences, their truths, their very essence isn’t proudly shown on the cover of a book or even within its pages. I know because I was once their age and wondered these thoughts: Am I not worth writing about? Are people like me not worth reading about? (Well, unless you’re a slave getting the crap beat out of them). By the way, what is the USA’s morbid obsession with Black pathology? Yuck.)

We Need Diverse Authors

About eight years ago, libraries (some may still practice this, but I’m pleased to say my local library DOES NOT) shelved books based on genre in an obsessive compulsive way that would impress even this guy:

monk-logo

Back then, there were no cross-genres.

mixedupauthor

Dear heart, weep not. Tis 2017 and we live and breathe for literary mashups such as yours. 🙂

No, no, no. Every little book went into its own boxed off little shelfie-welfie corner. Oh yes, yes, yes.

So books like this:

black romance

 

 

 

or this . . . romance_black

 

 

 

 

 

 

wouldn’t appear in the general romance aisle, but be ghettoized or segregated from that oh-so lucrative and coveted section and placed in the African-American books, Street Lit, Urban Lit, or wherever library’s chose to place books with dark brown to light brown faces on the cover. Think about your local grocery store and how soy sauce, butter chicken, and curry are cordoned off in their own aisle labeled “multicultural or ethnic” away from the other condiments. Even poor sauerkraut and gelfilte fish has its place there. If I hadn’t watched the Food Channel or binge watched “Great Eats Around the World” I would remain culinarily (made that word up) ignorant! Now, regarding the segregated books: Was this practice intentionally racist? *Shrugs shoulders*. Not sure. But, one could see how this limits authors of color from being discovered from readers regardless of their color even though it fit in the “general genre”.

A couple of weeks ago while visiting my local library I noticed a lot of newer authors I had never seen before. I was so impressed that the library had become “integrated” that I had to take a picture of it!

libraryintegration

A Japanese author, a Black author, a White author, and even a Native American author all on one shelf! 😀 And all different genres! Ha! Impressive. 

Clearly, people and books don’t belong in boxes. Well, unless you’re dead and boxed in a coffin. Sorry, I digress.

In 2015, Lee & Low, a publishing house that prides itself on finding new authors of color shared the results of the Diversity Baseline Survey, which revealed that overall the Industry is predominantly white and female. Bet you weren’t expecting THAT revelation. But, it’s true. And when I say overall we’re talking about all levels:

  • Executive Level
  • Editorial Dept.
  • Sales Dept.
  • Marketing & Publicity Dept.
  • Book Reviewers

Is this predominantly female white status quo deliberate and thus, racist? Well, if you consider the data . . . the other question is will it be kept this way and by design?

While I hunted for facts regarding the struggle many writers of color — Asian, Caribbean, African, South American — experience trying to get published, I encountered similar stories:

  • Mira Jacob, young author of the critically acclaimed novel, The Sleepwalker’s Guide to Dancing, shared a powerful speech about her struggles as an (East) Indian woman dealing with ignorance and prejudice in the publishing industry. A MUST READ!
  • Jenny Zhang shares how a white poet, Michael Derrick Hudson, used a Chinese pen name, Yi Fen Chou.
  • Paul Langan, a white novelist writes popular series about Black students growing up in an Urban setting.
  • Brandon Tensley discusses America’s Problem With Writers of Color.
  • PP Wong, author and editor shares how many times her novel was rejected. One of the reasons is really, really, really stupid. And clandestinely racist.
  • Phenderson Clark, speculative fiction writer of Afro-Caribbean descent draws back the curtain regarding racism against fellow Black authors (and the lack of characters) in the science fiction and fantasy community.

To piggy-back on the final bullet regarding the science fiction and fantasy genre that I write and adore I come to a fork in the road. Lately, several of the Big Five publishers that are located in New York are requesting romance novels from Black authors. I don’t know how to write strictly Romance. I mean, doesn’t it entail, you know, like a “formula” where handsome guy meets gorgeous lady and they don’t like each other at first until he or she does something and then the tide is turned and then they like each other, but not like that and then they fight and break up and then you know — heck, I DON’T KNOW! So, my point that I’m trying to make is do I just “sell out” and go to the “Crimson Wine and Chocolate Covered Cherries Side” of Le Force and write Romance because it’s popular and I’m more than likely to succeed since there’s an open call for it?

Like I said before, I don’t know how to write strictly Romance. I need creepy scenes, an occasional vampire or demon to slay. I need undiscovered elements on the periodic table. I need a nod to the current status quo and how to change it. I need to believe that there are dragons to slay whether they be literal or figurative. I need to hope for windows, doors, closets, basements, or even dreams that lead to alternate dimensions.

I may not write Romance yet, but I could learn, if I feel so inclined, and not because it’s what a publisher wants of me to selfishly benefit themselves.  In other words, why should writers of color pigeonhole themselves? We should be able to write what we want.

This scenario brings this excerpt from Rachel Deahl’s Publisher Weekly’s article, “Why Publishing is So White”:

So how does the industry move forward and do better? Right now, publishing seems to be struggling with the difference between words and actions. Take, for example, a situation a publisher at a reputable Midwestern press recounted. Claiming he is “always trying to diversify our staff,” he brought up a recent editorial assistant search that initially yielded 250 applicants. The press narrowed its options down to eight finalists, five of whom were white and three of whom were people of color. Although all the finalists were “excellent” in his estimation, the position went to a white woman. The reason? “There’s no room for tokenism at [our press].”

Dude, there’s no need for tokenism! What a cop out!

There’s always going to be a first and you don’t have to stop there. A first — if that’s the intended direction you want to go — will lead to a second and a third.

It only takes one to turn the tide.

The need for diverse books from diverse authors with different stories to tell isn’t a trend and never will be.

I'mnotatrend

I love comments, and I always visit back. Blogging is all about being a part of a community, and communities are about communication! Tweet with me @moniquedesir